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Mastering the Art of De-Fanging the Snake: A Lesson from Filipino Martial Arts

Writer's picture: Sifu Jeramiah GiehlSifu Jeramiah Giehl

In the vast world of martial arts, there exists a principle borrowed from the Filipino art of Kali that stands out—the art of "De-Fanging the Snake." While Kali practitioners are known for embracing this concept, it holds valuable lessons for martial artists across various disciplines.


The essence of De-Fanging the Snake lies in recognizing that the weapon, whether it's a knife, a stick, a bottle, or any object wielded by an opponent, is the fang of the metaphorical snake. The objective is simple: when an adversary attempts to strike with their weapon, the practitioner aims to disable or disarm by cutting their hand. By doing so, the fang is removed, rendering the snake harmless.


Crucially, two fundamental mistakes are avoided in this approach. Firstly, practitioners do not engage in trading blows or attempting to block an opponent's weapon. Such actions would only lead to a chaotic exchange resulting in injury. Instead, the focus is on precision—striking the weapon hand to swiftly De-Fang the Snake.


To illustrate the impact, imagine a clean swipe with a hardwood stick, bottle, or knife on the opponent's hand—the fang is gone, leaving the snake powerless. This strategic move, although seemingly simple, requires finesse and skill. It is not about brute force but a calculated act of precision.


This concept serves as a shortcut, a way of "cheating" in the realm of martial arts. Rather than spending decades mastering various weapons, practitioners learn to De-Fang the Snake, gaining a tactical advantage. This approach aligns with Bruce Lee's paradigm—find the most effective method and exploit it.


The Weapons Configurations in De-Fanging the Snake are diverse, encompassing staff, Dos Monos (heavy weapons requiring both hands), Sinawali (two equal lengths), Espada E Daga (stick and dagger), single stick, two knives, and single knife. The key remains consistent—De-Fang the Snake regardless of the weapon configuration.


Understanding the three ranges of a weapons fight—Largo Mano (long range),Sumbrada (mid-range), and Hubud (close quarter range)—is crucial in executing the principle effectively. Each range dictates specific movements and strategies, emphasizing the importance of positioning and timing.


The Upward Figure 8 emerges as a favorite stick drill, not for fighting but for enhancing body mechanics. The drill involves creating an upward figure 8 motion with the stick, emphasizing the coordination of body movements. It serves as a valuable practice tool, translating stick mechanics into powerful strikes with elbows, knees, and headbutts.


Weapons sparring takes on a unique approach, focusing on De-Fanging the Snake rather than engaging in a flurry of head-on clashes. Practitioners spar at half speed, using rubber sticks to practice precision and timing. The emphasis is on smashing the opponent's hand while avoiding unnecessary risks.


The concept extends to matched and un-matched weapons sparring, encouraging practitioners to experiment with various configurations. Whether armed with a stick, knife, or other weapons, the objective remains consistent—De-Fang the Snake.


The final stage involves Weapons Follow-Ups, where practitioners transition seamlessly from De-Fanging to executing one of six powerful moves: Redondo, Abenico, Upward Figure 8, Florette, Bacalao, and Soonketti. These follow-ups showcase the versatility of the principle, offering practitioners a range of options based on the situation.


Mastering the art of De-Fanging the Snake is a holistic journey that encompasses precision, timing, and strategic thinking. It is a testament to the efficiency and effectiveness of Filipino Martial Arts, offering practitioners a shortcut to mastery while embodying Bruce Lee's philosophy of finding the best path and, in essence, "cheating" to succeed.

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